The Sanguinarian

The Sanguinarian

Sunday, 20 December 2015

Review- Brutal- Uday Satapathy




Two journalists find themselves in grave danger when they uncover links between a present day massacre and an incident which had occurred eight years ago. summary
‘you are in real, real danger’ – a school teacher gets a creepy warning in his mailbox. Seven days later, he massacres eleven of his own students. Two months later, he is gunned down in broad daylight by an obscure militant outfit.
Justice served. The nation pacified. Case closed –-- the police say. But, two crime reporters think otherwise.
Seeking redemption through this case are Prakash and Seema, ace journalists in their professional lives, but broken individuals in the darkness of their personal hells. As they dig deeper into the mystery, they are led into the ominous forests of Bandhavgarh where an eerily similar massacre had occurred eight years ago.
They never see it coming what hits them next.
One by one their leads start turning up in body bags and they are chased by assassins at every corner. Soon they would realize that they are pitted against evil powers pervading the business and political dna of the country, with an unbelievably sinister agenda.
Always one step ahead of them, there is no place to hide for the two journalists. The only way is to fight back. But, to do that, Prakash and Seema will first have to survive. 


First of all, Uday deserves a huge round of applause for going against the grain and writing a thriller. 
In a scenario where writers can't get past mushy college romances, Brutal comes as a monolith, as a rebuttal of current trends in literature in India, as a reminder that aspiring authors in India must look beyond Chetan Bhagat, Ravinder Singh and bestselling formulas. 

I have been an avid reader of crime thrillers since I was a kid- so books of this genre are my first preference over oter genres. I expect every crime novel to take me on a roller coaster ride- make me bite my nails, sit on the edge-of-my-seat and imagine the worst and feel the adrenaline rush in my blood vessels.
And Uday's debut book doesn't disappoint. It is a mad but memorable roller-coaster ride of a book- and in that madness lies Brutal's excellence. 

The book starts with an intriguing prologue which immediately draws the reader into the story. 

After that, for a few pages the story moves very slowly- there is much telling and less showing- my only grouse with the book. The main protagonists, Prakash and Seema are introduced to us in the first chapter- which, towards its end, bursts into action. That is where the book picks up pace. 

And once it picks up pace, Brutal takes you on a wild goose chase ride through India's corridors of power, the underbelly of its cities infested with crime and sleaze, psychopathic individuals like Tejeshwar Kushwaha who suffer from the God Complex and make deals with international terrorists for money, mercenaries like Raman who are also psychopathic cold-blooded murderers who love the thrill of the kill, dirty cops and RAW and IB agents, dirty agents from Mossad and other intelligence agencies, journalists who leave ethics behind to chase a story, but also put their lives on the line, unethical pharmaceutical scientists who carry out clinical trials without permission and endanger lives etc. etc.

As an incident of sudden violence transpires by the end of the first chapter, Seema and Prakash go on a goose-chase to uncover the horrible truth behind why a school teacher murdered eleven of his own students in cold blood. The truth is much more bigger than they could ever imagine. 

As Seema and Prakash travel around the country, dodging bullets and knives and bloodthirsty killers, the reader travels with them. The characters are so well-written that the reader can feel their pain, fear, courage and anguish. The reader can relate to their pain and empathize with them. 

Mrinal and Raman are also well wriiten supporting characters.

The plot is, of course, excellently formulated. The author's knowledge of how mercenaries operate and how journalists function lend an authenticity to both the story and the characters. He doesn't waste time on sub-plots or hyperbole, but comes straight to the point. The writing is of a good quality

That is another thing I like about Uday's writing- no sweeping generalizations, no creeping biases, no other jingoistic nonsense. Just a story of human beings and their humanness and inhumane sides.

The only other nitpick I have is a few typo errors and wrong usage of words/phraseology- but that is something the author can smoothen out in later books.

Uday gets 5/5 on all counts- plot, chharacterization, language, grammar and punctuation etc. 

I wish the author good luck for his future work and eagerly await his next book. 

Uday Satpathy is the one to watch out for. 

Go grab your copy of the book here: Brutal

Review- Faith of the Nine by Sachin Dev

Blurb: “The Third Yuga is slowly drawing to a close. Nam – the greatest Empire on Janani – is going to face some fierce winds of change. Seers foresee omens of death and destruction in the return of the Banished One – A God who will claim the ashes of this world as revenge. While out in the streets, rumours abound – of older forgotten powers stirring.
Caught in this maelstrom of a power struggle between Gods are three ordinary lives: General Fateh, the most celebrated soldier in Nam who starts to question his faith, Ishan – a gifted orphan who struggles to comprehend his destiny and Abhaya – a young monk in search of truths about this world. Their choices and actions will shape the destiny of this scarred world that becomes the playground for vindictive Gods. In a world where Rakshasas arise out of left-over traces of Maaya and twilight forms the portal to countless worlds around us for Daityas and Yakshis to dance through, a God is only as powerful as those who believe.And when Gods rise, faith of men will be tested…And broken.” 

It is hard to come across well-written books these days...especially from a debut author. Therefore, Sachin Dev is a breath of fresh air in this scenario. 
For a debutante in fantasy fiction, a genre still not understood by many in India or chosen by budding authors as a genre to write in, Dev has done a fantastic job. 

The world-building, starting from the Nam empire itself, is amazing in both the imagination and the detailing. Namakaal, Nam-Ehrilitaan, Nam-Ching...and all other places described in the book- capture the imagination. 

The prologue details a well written fight scene, coupled with a gruesome death in Sumeria, capital of Namakaal. This draws the reader in immediately, making them want to proceed. 

From there on, the plot moves at a steady pace, and the author maintains the intrigue very well. Three stories- that of the boy Ishaan, the child prodigy, Seer Abhaya and General Fateh- move parallel to each other to come to a jaw-dropping conclusion. The central city of Nam is under an insidious threat from the old Gods, who were overthrown by the ruling empire. Anyone who worships the old Gods or follows the old ways gets hanged. 

The protagonists are very well-written. The author doesn't shy away from  putting his darlings through a lot of struggle and torture- but their ordeal and the way they fight adversity makes the character arc interesting, and the characters multi-dimensional and rich and memorable. 

What I liked most, apart from the scintillating plot, is the way the author has mixed elements from various mythologies of various faiths to formulate a unique blend of his own world, the Nam empire. He uses references from Hindu, Christian and Assyrian mythology which lend an aura of refreshing multi-culturism to the story. I also liked the sub-text of social evils and prejudice embedded in the plot and characters.

He also adds a lot of horror to the fantasy- supernatural entities bleeding from realm into realm, ancient Gods coming in the protagonists' dreams and also murdering enemies, Yakshis which look like the local version of a succubus ( and are very frightening, BTW), Rakshasaas and an Enchanted Garden which flowers on the bodies of humans and animals it consumes . The horror adds a dash of intrigue and suspense to the mystery of the plot.

On top of everything- the author writes very well. It shows how much work he put in before jumping into publication. There are a few errors in spelling and sentence structure- but otherwise, the writing is original, refreshing and inspiring. The language is excellent- readable without being pedestrian, high-quality without being flowery. 

To summarize, the great imagination, the brilliant characterization and world-building, the multicultural references, the fascinating mix of mystery, horror, supernatural and fantasy make Faith of the Nine an excellent read. 

Full marks to the author for being so good. I wish the author all the best for his future books and eagerly await his next book in the series. 

Sachin Dev is one to watch out for.

You can buy the book here: Faith of the Nine 


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Thursday, 19 November 2015

Review- A Minute to Death by Ganga Bharani






Blurb: Young, vivacious and an aspiring writer, Riya wants nothing more from her longtime crush/boyfriend than to let her in on one of his exciting investigations. After all, what better source material for a book than a real life tragedy? No-nonsense veteran cop, Rohan picks a case of probable suicide to satisfy Riya’s needs. Little does he know that there is more to this case than meets the eye. What made the victim hang herself at the break of dawn? What is the secret that her group of friends is hiding? Will Riya be able to salvage a workable plot for her upcoming novel out of this case of seemingly simple suicide?







Writing a book is a tough job. One gives their sweat, blood and time to finish a manuscript, then through the rigmarole of editing, multiple drafts and beta reading, and then readying the book for publication. Finding the right publisher and getting accepted is another task altogether.
The world judges a book by its cover. I don't judge a book at all. I live it, love it and breathe it.
Ganga Bharani's second baby is good. I am not saying it's not.
But as an avid reader of crime fiction and suspense novels, there are some things I have picked up about writing a crime novel from the greats like Sir Conan Doyle and Agatha Christie and James Patterson and others.
1. Not everyone can condense a crime story into a 100 pages and still manage a credible tone throughout. One does it only after extensive practice. Some good examples of the perfect crime novella would be Patricia Highsmith's Strangers on a Train, and Agatha Christie's A Murder is Announced. In this case, the author should have stuck to writing a longer version- a novel.
2. I liked the theme of the novel- an aspiring crime novelist going to crime scenes to do some research for her book. I also liked the way the relation between Rohan and Riya has been portrayed. What I didn't find convincing, however, is the dialogue between them- it sounds phony and sketchy.
3. Also, Rohan spends more time playing Romeo than doing his job, working the case. Cops don't have that sort of time, underpaid and overworked as they are. They don't have the leisure to hang out in coffee shops with their girlfriends. In a romantic suspense, the romance should be very carefully interspersed with the main crime story-especially in a police procedural.
4. The novel should have been, ideally, a 200 plus page affair, where the psyche of the killer, the media attention the murders garnered and the impact of the killings on the cops investigating and the victims' families should have been explored. I would suggest that the author, apart from reading extensively, watch crime shows like Criminal Minds, CSI, True Detective and Castle to learn more about handling the various aspects of a crime story in a novel form.
5. I liked the idea of how Riya uses analytical software to study the social media profiles of the victims. I also like how the suspense builds up, but the ending sounds contrived. That's why, the novel should have been longer so that the climax had looked inevitable and logical rather than forced. 97 pages leave no meat of a story for a crime novel aficionado to chew. A good story, with great potential, comes to an incipient-looking ending- like when you immerse firecrackers in water.

That covered, let me now come to my biggest problem with the story- language, the big L. And, of course, grammar. It goes without saying that there are errors in grammar and punctuation- in almost every line. And the prose is languid and flaccid and uninspiring. What is inspiring prose? It's prose that not only ignites the reader's imagination, but also makes one want to write. This prose just made me want to edit and re-write the entire book- my entire reading experience was hampered.
It shows that inspite of having potential, the author didn't even self-edit. She hasn't read extensively in the crime genre, and also hasn't practiced writing enough- two VITAL instruments in any writer's toolkit. Perhaps she hasn't gone through the whetting process any writer must go through- writing  practice, getting the work critiqued by fellow writers, then finishing her first draft, rewriting, editing, and then getting feedback from beta readers, then readying the novel for submission to publishers. Having read hundreds of books, I can tell.

As a writer myself, I wrote, got my work critiqued, then wrote more and got more feedback from other writers for three years before my books got accepted. And today, I find myself a much better writer than what I was 3 years back.
The author's work is still in the preliminary stage, where it needs extensive whetting to mature.

Because a writer's work DOESN'T start and end at publication.

It starts with extensive reading, grows with extensive writing and critique, spreads through publication and never ends.

You can buy the book here: A Minute to Death


Thursday, 29 October 2015

Review- Just You, Me and a Secret by Ganga Bharani














Blurb: Just You, Me And A Secret is a story of an amnesiac, Meera, who battles between her past and present. 

Meera Prabhu wakes up after a terrible accident with absolutely no memory of herself. She sees a stranger in the mirror and seems to be living with another stranger, Ashruth, a doctor by profession and a clown by appearance. He claims that he is her fiancĂ©. They were engaged to be married and would have been married already if not for the accident. He keeps on emphasizing on how much she loved him and yet, he keeps her apart from her family for her 'mental state'. Armed with what seems to be her personal diary, Meera tries to grasp her identity and her reality. But no matter how hard she tries, she just seems to be unable to connect. 
In the present she develops a strange liking for Santhosh, a childhood friend. Does he love her the same way she does? Will the marriage be called off? 
Will Meera break through the hurdles in front of her and be able to connect to her friends and family again? Most importantly, will she ever regain her identity again? 
Disclaimer: I downloaded this book from Amazon while it was Free for a day.

Ever since I was a child, I have been a voracious reader of crime and mystery novels. Starting from Enid Blyton to Sherlock Holmes, to Agatha Chrsitie to modern writers like James Patterson, Michael Connolly, Mary Higgins Clark, Thomas Harris and others, I have internalized crime and suspense stories as if they are an evolutionary adaptation mechanism, a basic need. I live, breathe and even write mysteries.

Therefore, I cannot take a badly written mystery novel. And I've read one or two of them too.

Problem is, Bharani's novel is NOT one of the bad ones.

Story-wise, the book is quite good.

I like the intriguing note on which it starts- a girl, waking up, in a hospital, with absolutely no idea of where she is, or who she is. Sure, it's not a new trope in suspense. But the author handles it quite well.

The story develops well. I like the way Meera's story has been narrated, and her ordeal shown, being caged inside a house with a man she doesn't remember, and whom she instinctively shies away from. I also liked the way Meera and Santosh's characters have been developed- even Ashruth's character is mildly interesting.

But I found some parts very odd- like the abrupt, unrealistic way in which Meera gets her first boyfriend. On the other hand, the way she falls for the wrong man, after her break-up, has been handled quite well.

That brings me to my first grouse with this book: Language and Grammar.

There are many, many language problems in this book- basic problems. There are typos, wrong or awkward use of words, odd sentences and turns of phrases, purple prose and even wrong grammar, like over or under use of articles etc. I have a language fetish, therefore I like a well-written book, which is clean of the aforementioned errors. Bad language hampers my reading experience, and puts me off the book faster than I can blink. The prose is languid, jarring and distinctly uninspiring.

I wish the book was better written. It is not sufficient to have a good story- language and grammar IS important. If the language used to communicate the story is bad, how will the story connect with the reader?

Did the author or the publisher not realize, or bother to correct those mistakes during proofing or editing?

My second grouse is the way the author has handled the climax of the novel.

For us suspense lovers, the denouement of a mystery is the highest point of our reading experience. A well-written suspense novel builds up the mystery in a manner that sets readers' hearts pumping- and then gives us a climax to the story, a climax befitting of our admiration and that makes us go 'Wowie! X was the killer! Or- Oh! So Y is actually Z! And Z is actually A!'

Here, the author rushes through the climax, robbing it of a necessary dramatic flair that one sees in novels by the great Sir Conan Doyle or Agatha Christie. Every suspense novelist must know how to incorporate this dramatic flair in the structure and prose of their story, or the flawed execution just kills the joy of reading the book.

Had the author shown us the explanation at the end, rather than making the culprit narrate it, it would have been a much more hard-hitting story.

Verdict: I would suggest the author practice writing to improve her language, style and prose. Here, her writing is precocious and needs refinement- which will come from reading plenty of books- and I mean PLENTY- and writing practice every day. The author must write short stories to hone her craft, and get her work critiqued by more experienced authors. I would also suggest she critically read more thrillers to see how the climax is executed.
The book also needs extensive editing and rewrites. I have been critical and harsh in this review because I expect better from the author. She is a friend, and I would love to see her grow as a writer and produce better literature.

Just You, Me and a Secret is a badly written good story, to sum up.

As a side note, let me point out that there is no need to say 'Suspense Romance Thriller'- redundant wording and odd phrasing. Just saying 'Romantic Suspense' or Romantic Thriller' would suffice.

But if you're not to hung up on language and grammar, and want to read a good mystery to kill time, you can buy the book here: Just You, Me and a Secret














Saturday, 8 August 2015

Picture prompt #2: Shrine of the Morosaurs











The Shrine of the Morosaurs stood in the distance, looming over the barren landscape, silhouetted against the dank blue skies. Anneliese closed her eyes and inhaled deeply, trying to absorb the experience, as she sat astride Johannes, her faithful horse, a gift from her father.

This was the tipping point of Anneliese's life, the pivot around which her destiny revolved. This was the answer to her life, the secret behind her birth.

 Finding this Shrine, built centuries ago, which no one in her family had been able to locate in the bowels of the Tundras before Anneliese had.

It was her destiny to find and enter the Shrine built by her ancestors- the long dead Morosaurs. The alien race of Marauders, from the planet Woho, in the galaxy Andromeda, who arrived on Earth centuries ago and cross- bred with Dinosaurs. It was Anneliese's destiny, as the last surviving part-Morosaur to open the prophecy they had left behind. Before their near complete extinction with the Dinosaurs, and the establishment of New Earth. And before the few surviving Morosaurs cross-bred with humans to survive.

Arius, the last Chief of the Morosaurs, had come into her dreams repeatedly, to show her the purpose of her life. "You have to save humanity from annihilating itself, Anneliese. You have to broadcast the prophecy, unlock its power, and spread our genes in the population. You have to keep New Earth alive. We cannot let the bloodthirsty Nessyrians take over this beautiful planet and violate it," he had said.

 "Come on Johannes," she spurred her horse on, as they proceeded to climb the hillock, towards the Shrine. To tell the story of the Morosaurs again. To fulfill her destiny, and to preserve New Earth from being conquered by the most bloodthirsty race of beings in the Universe.


Friday, 7 August 2015

Blog spotlight- Devika Fernando and Mike Wells- Tornado Giveaway

Name of the Book : FORBIDDEN Books 1, 2 & 3
Author: Mike Wells & Devika Fernando

Read some reviews:


The Story :

When Lady Eleanor Sotheby unexpectedly enters the life of Jayne Clark, a 23-year old waitress from Wichita, Kansas, Jayne's world is turned upside down. Not only is she welcomed into a family that she never knew, but she is thrust headlong into the highest strata of European society. Nothing is too grand in the fairy tale lives of the uber-rich--the spectacular seaside villas, the sleek, chauffeured limousines, the outrageously expensive designer clothes. When Jayne plays her part and learns to fit into this new world, she meets Robert Astor, the man of her dreams. But her feelings for Robert are forbidden. Jayne's heady new life begins to unravel into a dark web of deceit, domination and greed...and she ultimately finds herself confronting an evil that truly has no limits.

You can also buy @


About The Authors

Mike Wells 

About Mike Wells in his own words: I'm American bestselling author of the Lust, Money & Murder series and over 20 other thriller and suspense books. I also have taught in the Creative Writing program at Oxford. I'm known for my super fast-paced, 'unputdownable' novels.
Stalk him @
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Devika Fernando


Almost as soon as Devika Fernando could write, she imagined stories and poems. After finishing her education in Germany and returning to her roots in Sri Lanka, she got a chance to turn her passion into her profession. Having lived in Germany and in Sri Lanka with her husband has made her experience the best (and the worst) of two totally different worlds – something that influences her writing. Her trademark are sweet, yet deeply emotional romance stories where the characters actually fall in love instead of merely falling in lust. She draws inspiration from everyone and everything in life. Besides being a romance novel author, she works as a self-employed German web content writer, as a translator, and as a faithful servant to all the cats, dogs, fish and birds in her home. What she loves most about being an author is the chance to create new worlds and send her protagonists on a journey full of ups and downs that will leave them changed. When she’s not writing, she’s reading or thinking about writing.

Stalk her @
Website | Twitter | Facebook


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Wednesday, 5 August 2015

Why banning porn is excessively asinine

My own views on pornography don't matter here.

Here, the thing we must focus on here is personal liberty, plus how we must approach topics like these.

Recently, the Government of India 'banned' 857 websites because they had 'pornographic content'. Why? The reason was some vague nonsense about 'their concerns over child pornography' and, as some accounts go, to 'also reduce sex crimes'.

How asinine. How incredibly stupid. How myopic and ill-informed.

It reveals the short-sightedness of the people who control policy-making at the highest levels of the administration.

Now, I'm not opposing the ban because I support porn. I don't- I think it demeans women and reduces them to sex objects and humiliates them. And porn which promotes bestiality and sexual violence against women is especially disturbing.

And of course, child porn is disgusting, vile and a punishable offence.

But the question here first is- will a forceful ban on porn work as a deterrent to sex offenders? Then the question comes- How do we approach a slippery slope like whether to ban or not to ban porn?

Yes, it is true that many, many sex criminals- rapists, molesters, child sex abusers and child rapists-, all over the world, have confessed to watching porn before they committed their heinous acts. And why not? Porn encourages a very misguided, perverted, view of both women and children, hypersexualizing them, reducing them to mere sex objects, to be raped, and then killed or left for dead.

But.

But, not all people who watch porn are sex offenders. Also, we need to ask ourselves- will banning porn bring down sex offences and child sex abuse? How? Why?

By forcefully banning porn in a society where sexuality is repressed,sex is a 'dirty thing' and not talked about openly, and men and women cannot easily mingle, fall in love and live together happily, DOES THIS GOVERNMENT REALIZE WHAT A COLOSSAL BLUNDER IT IS COMMITTING?

No, it doesn't. Because it seems to have thrown all sense out the window.

In a sexually repressed society, a lot of people find their only succor in porn, because of many reasons. Whether porn is wrong or right, it is what keeps them sated. Take that away and one day, they will turn on real women and rape them brutally.

Let's not talk about pedophiles here-they need a shrink anyway. And child porn involves child sex abuse- so it's a crime. Adult porn, at least to some extent, is filmed by consent.

We must be careful to see the gap porn is filling. Porn is illegal, porn is taboo, and yet, people across the world watch it- in secret. No one wants to announce they watch porn- it has been known to destroy relationships too. And yet, the porn industry thrives. Why? There is some need it is exploiting by filling it, some gap it is addressing.

So how do you find that gap and find another way to fill it?

By having a scientific, open discussion. On sex, sexuality, psychosexual aberrations and sexual violence, and the psychosocial implications of pornography. Because all these things are related to pornography- very deeply related. We need to involve men, women, even parents, sociologists, psychologists, psychiatrists, neuroscientists, criminologists and behavioral scientists. Even writers, academicians and other such intellectuals should be involved. We need to have an open, healthy debate on these topics. We need to establish the link between porn as a cause of sexual violence and child abuse too perhaps- develop a scientific correlation, present empirical evidence. THAT is the right way to do it. Informed, scientific, ratiocinated debate, and an educated consensus reached.

And then, the consensus to ban porn, or at least, not watch it, must come from the public themselves. Because the gap that had to be addressed has now found a way to be alternatively addressed. No need to watch porn any longer, perhaps.

But what does this government do?

Look at the hypocrisy. The government will shy away from sex education, saying it's against 'Indian culture' and that 'adolescents will want to have sex if we teach them about it'. What bullshit! Adolescents and young adults indulge in risky sexual behavior because of the LACK of knowledge. They are not so dumb that a sex education class will spur them to try sex in real life. Instead, it will encourage them to be open and frankly talk about sex, and not have to turn to porn to fulfill their curiosity and assuage their libidos.  Their curiosity is being fed not with trashy porn sites and Fifty Shades of Grey, but with proper, interesting knowledge about sex, sexuality, sexual behavior and how to live with one's partner.

But they won't listen.

They won't make the streets safer for women and kids. They won't maintain a registry of sex offenders and child abusers, and keep a watch on them. They won't build rape crisis centers for rape survivors, they won't sensitize and train doctors to deal with, and provide care to survivors of sex crimes. They won't sensitize society towards gender violence and respecting and supporting women, acknowledging their rights and freedom, and kicking patriarchy and misogyny in the butt. They won't sensitize the police to register FIRs and be sensitive and helpful to sex crime survivors and abused children. NO. Because this takes REAL effort. Besides, how will they sensitize the public when MPs and MLAs are famous for making sexist comments, without shame, and they won't even apologize? MPs watch porn during running Parliament sessions. How the hell can they tell the lay citizen to not watch it?

So what do you do when you don't want to put any real effort to change the ground situation?

You ban porn. As if that is the sole cause of sexual violence against women and children, and banning porn will make the rape and child abuse rates go to ZERO.

This is one of those half-baked, ill-informed, asinine, irrational methods one adopts when they don't want to take any real action, or make a real, concerted effort to being about positive change.

This ban, and then revoking it two days later, holding the ISPs responsible for 'filtering child porn' show how much judgmentally impaired this government is. It does not make its decisions based on scientific data and educated opinions, but instead, on whimsy and its changing moods. Is this a responsible government? Is this the 'Acche Din' bullshit that was being bandied about in May 2014? Can this government be trusted to make proper decisions to bring about progress and development?

NO.

And thus, we sit and watch as this government makes an ever greater fool of itself in the future.